Where beforehand they served largely as anonymous, wispy backing tracks for the likes of 'BasedGod' Lil B (including the stunning, not-included-here 'I'm God'), Main Attrakionz and Soulja Boy, outside of a vocal context they were revealed as intricate enough to stand alone in their own right. But what's been interesting is how its release immediately made his instrumentals themselves the focal point of attention.
Not that it was exactly lacking for love when it first emerged: sizeable proportions of the (admittedly pretty niche) music-loving internet were quick to heap praise on Clams' translucent hip-hop instrumentals, and subsequent online mixes and a 12' on Tri Angle have swiftly snared him a growing audience. Although Clams Casino's excellent Instrumental Mixtape first appeared in spring of this year as a free-to-circulate zip file, its swanky coloured vinyl reissue on Type screams out for more attention.
